Holy Basslines: My Journey Into Christian Rap x EDM
What started as a few scattered discoveries turned into a whole journey, and each track felt like someone had cracked open a new door.
Early on in my journey into Christian rap—right after I graduated high school in 2008—I stumbled onto a track that completely caught me off guard: “Stunna Shades” by G‑Notes. I’m pretty sure it popped up as a “similar artist” recommendation on iTunes, but however it found me, I remember hitting play and thinking, “This is awesome.” The message and the beat hit with equal force, and it felt unlike anything I’d heard in Christian music up to that point. It had this energetic, electronic pulse that instantly reminded me of the rhythm‑game era I grew up with—stuff like Dance Dance Revolution, arcade soundtracks, and the kind of high‑tempo music you’d hear in certain anime openings. Not in a stereotypical way, but in that nostalgic, neon‑lit, fast‑paced vibe those mediums are known for. It felt like the soundtrack to a boss fight against temptation itself
Most of the time, Christian songs talk about seeking the light—the truth of Jesus Christ, the clarity He brings. But this track flipped the metaphor. It wasn’t about chasing the light; it was about blocking out the wrong kind of light. The kind that blinds you, distracts you, or pulls you off course. Think of the harsh glare from welding sparks, or blinding headlights, or even the sun when you look at it directly. That’s the kind of “light” the song warned against—the flashy, tempting glow of sin.
It reminded me of The Pilgrim’s Progress: the traveler on the road to the Celestial City, passing by a carnival of sin set up right beside the path. Bright colors, loud music, flashing lights—all designed to lure you in, waste your time, and pull you away from your purpose. That’s what “Stunna Shades” captured so well. It wasn’t just a clever metaphor; it was a reminder that not every light is worth following, and sometimes you need to shield your eyes so you can stay focused on where God is leading you.
There's also this scene from a movie called The Adventures Of Chris Fable (Except the glasses the that the villian gives the protagonists didn't protect them from the wrong light but rather enhanced it):
Because at the end of the day, we’re called to be used by God—not distracted, not derailed, and definitely not wasting the lives He’s given us.
Not long after rediscovering the energy I felt from G‑Notes’ Stunna Shades, I started diving into GAWVI’s EDM‑leaning tracks—songs like “In the Water” and “Late Nights.” They carried that same spark: faith‑centered lyrics wrapped in electronic production that felt alive, modern, and full of movement. It was the same feeling I had when I first heard Stunna Shades—that sense of, “Wait… Christian music can sound like this?” It opened up a whole new lane for me.
Then “Diamonds” with Jannine Weigel dropped, and that sealed it. I loved it instantly. There was something captivating about hearing her voice—smooth, bright, and expressive—floating over one of GAWVI’s beats. And the fact that she’s Thai‑German wasn’t just a fun detail; it added to the global, genre‑blending feel of the whole track. It reminded me of how music can cross cultures, languages, and backgrounds without losing its message.
For some reason, the song even gave me a little Kingdom Hearts “Simple and Clean” nostalgia. Not because it sounded the same, but because it had that same emotional lift—this mix of innocence, energy, and cinematic atmosphere that made me feel like I was stepping into a story.
Later on, when I looked her up, I found out she had done a cover of Lecrae’s “Nuthin’.” That connection made everything click. It wasn’t just a random collab—it was part of a bigger creative thread running through Christian rap, EDM, and global pop influences. It felt like discovering a whole ecosystem of artists who weren’t afraid to experiment, cross genres, and bring something fresh to the table.
Much Luvv Records didn’t just experiment with EDM—they went all in. Instead of dropping a one‑off single, they delivered an entire album built around that electronic, high‑energy sound.
This one felt like a celebration—Christian hip hop artists coming together to make something that radiates positivity. The EDM elements aren’t just sprinkled in; they’re woven into the DNA of the song.
It’s the kind of track that makes you want to move your body and lift your spirit at the same time.
A reminder that dance itself can be an act of praise.
Much Luvv Records has always had a knack for collaboration, but this one felt like a moment where the whole crew leaned into something fresh and unexpected.
And just when I thought I had a handle on this whole Christian rap‑meets‑EDM world, TikTok threw me another curveball. That’s where I first came across AndyG and his track “The Way, The Truth, The Life.” The moment it hit my feed, it felt like the next chapter in everything I’d been discovering—another artist blending faith, energy, and electronic production in a way that felt fresh and intentional. It was like the entire journey—from G‑Notes to GAWVI to Much Luvv—had been leading me to this new wave of creators who aren’t afraid to push boundaries while keeping the message front and center.
It reminded me that this fusion isn’t just a trend. It’s a growing movement, and I’m grateful I got to stumble into it one song at a time.
