Last year I discovered Caleb Conley, who has a style similar to Ghostemane or Suicideboys, but with a clear Christian message woven into his music. Word on the street is that the guys from Suicideboys have accepted Jesus Christ as their Savior. We’re all on a journey, and the Lord works things out in us over time—renewing our minds and helping us grow as we mature. Hopefully they’ll release new music without explicit content soon. I just prefer listening to music without F‑bombs. But if they truly are born again, then I celebrate that.
Caleb has his own unique style, and I love how boldly he shouts the name of Jesus Christ and gives Him praise with an emo‑influenced sound that most people associate with darkness. Yet here he is, bringing the light of truth and representing God’s kingdom.
This year, in 2026, I discovered Xerogangg. He has that modern emo‑rap look—long hair, face tattoos, the whole aesthetic. His appearance reminds me of secular artists like Lil Peep, Lil Xan (Diego), Trippie Redd, the Island Boys, 6ix9ine, Juice WRLD, 21 Savage, XXXTentacion, and others who shaped the emo‑rap sound. I think he became a Christian pretty recently. So far, I only know three of his songs, but I love all of them.
There are tons of male Christian rappers and hip‑hop artists out there, but what about the women — both known and underrated — who are shaping the space? I put together a list so you can discover some incredible talent you might’ve missed.
Angie Rose
One of my all‑time favorites. Angie Rose is a Puerto Rican artist from the Bronx who can rap, sing, and switch between the two effortlessly. Her energy and charisma give shades of Cardi B meets Lauryn Hill, but with a fully Christ‑centered message. She’s versatile, bold, and always uplifting.
HeeSun Lee
HeeSun Lee once did a freestyle session with Angie Rose on DJ Wade‑O’s show (Wade‑O is basically the Christian hip‑hop version of Sway). Her delivery is sharp and thoughtful — think early Nicki Minaj mixed with Lecrae‑style storytelling.
V. Rose
Another “Rose,” but with a totally different lane. V. Rose is more of a singer than a rapper, known for her work with Flame on the song Surrender. Her sound leans toward Ariana Grande meets Britt Nicole, with bright, melodic pop‑influenced vocals.
Jasmine Orozco (Jas)
I haven’t heard a ton of her catalog, but she stood out years ago on Brother IG’s Christian rap cypher I’m One Too, which even featured Fast & Furious actor Noel G. Jas brought a confident, grounded flow — kind of like Snow Tha Product with a softer edge.
Little G Fresh
TikTok put me onto Little G Fresh, an Ohio artist of Lebanese descent. Her music is uplifting, raw, and speaks directly to people in the middle of a struggle. She has that NF‑style emotional honesty, but with a feminine tone and a hopeful bounce.
Yumiya!
Another TikTok discovery. Yumiya has a smooth, catchy style that reminds me a bit of Doja Cat’s melodic playfulness, but with clean, faith‑driven content. She also gives off similar vibes to Cas (another TikTok artist), who blends rap and melody in a really natural way.
Megan Tossi
Megan Tossi is another TikTok standout. Don’t let the platform fool you — these artists are polished, professional, and genuinely talented. If you like Halsey‑style vocals mixed with hip‑hop elements, she’s worth checking out.
Anike (formerly Wande)
Anike — who many still know as Wande — was the first female artist signed to Reach Records. I listened to more of her older work, but she’s still fire. Her style mixes Missy Elliott’s creativity with Lecrae’s clarity and purpose.
Jackie Hill Perry
Jackie Hill Perry came up through Humble Beast and is now with Reach Records. She’s known for her spoken word, but her rap delivery is powerful and poetic — imagine a Christian version of Jill Scott’s spoken‑word era, but with sharper punchlines.
A.I. The Anomaly
Signed to Bizzle’s God Over Money label, A.I. The Anomaly brings a gritty, introspective style. She has that Rapsody‑type lyrical depth, with a strong focus on testimony and real‑life experiences.
Toyalove
Toyalove appeared with Angie Rose on the track Encore, and she’s collaborated with artists like Mikes Minnick, Niko Eme, Mike Teezy, and DKG Kie. Her sound blends Kehlani‑like smoothness with rhythmic, upbeat hip‑hop elements.
Lexly Nirvana
Lexly Nirvana is an emerging Christian hip‑hop artist from Texas, bringing a refreshing mix of melodic rap and heartfelt lyricism. She carries herself with a calm confidence — the kind that comes from someone who knows her purpose and isn’t afraid to express it. Her sound blends smooth, airy vocals with rhythmic, modern flows, giving off a vibe similar to Jhene Aiko’s softness mixed with Latto’s bounce, but with a clean, faith‑driven message.
What makes Lexly stand out is the way she balances vulnerability and strength. She often writes from real experiences, turning personal moments into uplifting, relatable songs. Whether she’s riding a trap‑influenced beat or leaning into a more melodic hook, she keeps everything intentional, encouraging, and rooted in hope. If you’re into artists who can rap, sing, and still keep the message centered on growth and faith, Lexly Nirvana is definitely worth adding to your playlist.
What started as a few scattered discoveries turned into a whole journey, and each track felt like someone had cracked open a new door.
Early on in my journey into Christian rap—right after I graduated high school in 2008—I stumbled onto a track that completely caught me off guard: “Stunna Shades” by G‑Notes. I’m pretty sure it popped up as a “similar artist” recommendation on iTunes, but however it found me, I remember hitting play and thinking, “This is awesome.” The message and the beat hit with equal force, and it felt unlike anything I’d heard in Christian music up to that point. It had this energetic, electronic pulse that instantly reminded me of the rhythm‑game era I grew up with—stuff like Dance Dance Revolution, arcade soundtracks, and the kind of high‑tempo music you’d hear in certain anime openings. Not in a stereotypical way, but in that nostalgic, neon‑lit, fast‑paced vibe those mediums are known for. It felt like the soundtrack to a boss fight against temptation itself
Most of the time, Christian songs talk about seeking the light—the truth of Jesus Christ, the clarity He brings. But this track flipped the metaphor. It wasn’t about chasing the light; it was about blocking out the wrong kind of light. The kind that blinds you, distracts you, or pulls you off course. Think of the harsh glare from welding sparks, or blinding headlights, or even the sun when you look at it directly. That’s the kind of “light” the song warned against—the flashy, tempting glow of sin.
It reminded me of The Pilgrim’s Progress: the traveler on the road to the Celestial City, passing by a carnival of sin set up right beside the path. Bright colors, loud music, flashing lights—all designed to lure you in, waste your time, and pull you away from your purpose. That’s what “Stunna Shades” captured so well. It wasn’t just a clever metaphor; it was a reminder that not every light is worth following, and sometimes you need to shield your eyes so you can stay focused on where God is leading you.
There's also this scene from a movie called The Adventures Of Chris Fable (Except the glasses the that the villian gives the protagonists didn't protect them from the wrong light but rather enhanced it):
Because at the end of the day, we’re called to be used by God—not distracted, not derailed, and definitely not wasting the lives He’s given us.
Not long after rediscovering the energy I felt from G‑Notes’ Stunna Shades, I started diving into GAWVI’s EDM‑leaning tracks—songs like “In the Water” and “Late Nights.” They carried that same spark: faith‑centered lyrics wrapped in electronic production that felt alive, modern, and full of movement. It was the same feeling I had when I first heard Stunna Shades—that sense of, “Wait… Christian music can sound like this?” It opened up a whole new lane for me.
Then “Diamonds” with Jannine Weigel dropped, and that sealed it. I loved it instantly. There was something captivating about hearing her voice—smooth, bright, and expressive—floating over one of GAWVI’s beats. And the fact that she’s Thai‑German wasn’t just a fun detail; it added to the global, genre‑blending feel of the whole track. It reminded me of how music can cross cultures, languages, and backgrounds without losing its message.
For some reason, the song even gave me a little Kingdom Hearts “Simple and Clean” nostalgia. Not because it sounded the same, but because it had that same emotional lift—this mix of innocence, energy, and cinematic atmosphere that made me feel like I was stepping into a story.
Later on, when I looked her up, I found out she had done a cover of Lecrae’s “Nuthin’.” That connection made everything click. It wasn’t just a random collab—it was part of a bigger creative thread running through Christian rap, EDM, and global pop influences. It felt like discovering a whole ecosystem of artists who weren’t afraid to experiment, cross genres, and bring something fresh to the table.
Much Luvv Records didn’t just experiment with EDM—they went all in. Instead of dropping a one‑off single, they delivered an entire album built around that electronic, high‑energy sound.
This one felt like a celebration—Christian hip hop artists coming together to make something that radiates positivity. The EDM elements aren’t just sprinkled in; they’re woven into the DNA of the song.
It’s the kind of track that makes you want to move your body and lift your spirit at the same time.
A reminder that dance itself can be an act of praise.
Much Luvv Records has always had a knack for collaboration, but this one felt like a moment where the whole crew leaned into something fresh and unexpected.
And just when I thought I had a handle on this whole Christian rap‑meets‑EDM world, TikTok threw me another curveball. That’s where I first came across AndyG and his track “The Way, The Truth, The Life.” The moment it hit my feed, it felt like the next chapter in everything I’d been discovering—another artist blending faith, energy, and electronic production in a way that felt fresh and intentional. It was like the entire journey—from G‑Notes to GAWVI to Much Luvv—had been leading me to this new wave of creators who aren’t afraid to push boundaries while keeping the message front and center.
It reminded me that this fusion isn’t just a trend. It’s a growing movement, and I’m grateful I got to stumble into it one song at a time.
